Having visited this exhibition during the summer of 2016, I just had to go back at the end of the opening season to get a closer look. On that second visit I was lucky enough to have the place almost to myself.
Across two rooms within its own building in the grounds of Newby Hall near Ripon in North Yorkshire, the exhibition combines two collections, those of Jane Fiddick and Caroline Hamilton. Caroline has also published on the subject of dolls’ houses.
The exhibits range from very large mansions to small room boxes, and include both modern and vintage items. They include the curators’ own much loved childhood playthings. I was particularly drawn to some of the larger houses, which I can only aspire to having enough space for. There is also a mini Miss Haversham made by one of my all time favourite doll artists, Jamie Carrington.
A section of the exhibition also showcases some very fine artisan work in miniature, which has to be seen to be believed. Other highlights include a Japanese miniature house and moving miniature automata.
Entrance to the exhibition is included with a garden ticket which also grants access to the wonderful grounds, teddy bear collection, sculpture area and children’s play areas. Entrance to the hall is extra and by guided tour only, but I would recommend it if you have time. There is ample parking and a very good restaurant, which was well sampled by myself and my other half!
More information here (opens in new window)
As well as stock items for my shop – here – this week I have completed my latest monarch doll, poor little Edward VI.
My idea of heaven and absolute favourite place to be is Temple Newsam estate in Leeds, West Yorkshire. Having grown up in the area I have spent many happy times there and still try to visit weekly. As well as feeding my Georgian obsession with wonderful landscape gardens and 18th century architecture, the estate boasts a further attraction for lovers of the miniature – an exquisitely preserved 1740s dolls’ house.
The house is featured here in the BBC History of the World. (links open in new page)
Comprising four rooms in a glass-fronted cabinet, the house is in remarkably good condition, considering that it was played with by generations of children. Inhabited by several little people, the house contains many beautiful miniature pieces including a fully fitted out kitchen.
The house is not original to Temple Newsam, but serves to illustrate the type of house which belonged to the daughters of the 9th Viscount Irwin in the mid 18th century (pictured below).
According to the BBC site, their father would often bring home items for their dolls’ house from the shop of Maurice Tobin in Leeds. Tobin was a whitesmith based in Briggate at that time, and it seems likely that he manufactured miniature playthings for the rich alongside his other wares.
The house currently on display was previously at Stonegappe near Skipton, North Yorkshire, and is believed to have been decorated by the author Charlotte Brontë during her time as governess there. The auction record at Christie’s provides more information about the Brontë connection, and suggests that she put many hours’ work into the house. Artist Serena Partridge has created some miniature items for the Brontë Parsonage Museum, inspired by the life of Charlotte Brontë. As Charlotte worked at Stonegappe in 1839, it’s clear the house was still being enjoyed by children for at least 100 years after it was made.
I believe that the household items were added to over a long period, due to the differences in scale amongst the furnishings and dolls, which in my opinion only adds to its charm.
If you would like to visit Temple Newsam, all relevant visitor info is here.
I’ve recently become quite obsessed with the BBC series Taboo (possibly due to the leading man). The costumes and sets are amazing, and I love how each character’s wardrobe has been designed to communicate something about that character. What better way to express my admiration than a series of miniature dolls?
The process I follow when designing a doll usually goes like this:
Visual research into the character – photographs, paintings, drawings, screen grabs of TV shows or films. I need a lot of visual information to get a feel of what they look like, preferably from several angles.
Background research – if they are a real person, looking for records of physical attributes. Most importantly, their height, so that I can reproduce it in 12th scale. It strikes me that lots of male actors are shorter than the average man, while actresses tend to be on the tall side.
Book research into costumes and props for their period. What styles, materials and colours will be accurate and work for this character? I have also built up a collection of photos of garments I have found in museums.
Having analysed the costume from the collected imagery, I need to work out how to reproduce it in miniature. Not every tiny detail is going to work out in 12th scale, so I need to simplify it while still conveying the general impression. This will involve drafting my own patterns for the clothes.
Last step before starting to make the doll, I need to work out how they will be posed, i.e, sitting or standing, where are they looking, what are they doing with their hands.
Once I have all these details planned out, I can start sculpting the doll! Yippee!